![]() This devotion has become known worldwide since Cardinal Jorge Mario Bergoglio, Archbishop of Buenos Aires, was elected Pope. The image of "Mary, Undoer of Knots" is especially venerated in Argentina and Brazil, where churches have been named for her and devotion to her has become widespread and which the Guardian called a "religious craze". The first chapel to be named "Mary, Untier of Knots" was completed in 1989 in Styria, Austria, inspired as a supplication in response to the Chernobyl Nuclear Tragedy. Leo Hintermayr, the story associated with the image and its title, Untier of Knots, emerged during the second half of the 20th century. Langenmantel for his grandparents' marriage being saved through Jakob Rem's intercession, research has been unable to prove a connection between the two events. ![]() Īlthough the tradition is that the image was painted in thanksgiving from H. In the memory of this event, their grandson commissioned the painting of the "Untier of Knots". Immediately peace was restored between the husband and wife, and the separation did not happen. Father Rem prayed before the Mater ter admirabilis image of the Blessed Virgin Mary and said: " In diesem religiösen Akt erhebe ich das Band der Ehe, löse alle Knoten und glätte es ". His grandfather Wolfgang Langenmantel (1586-1637) was on the verge of separation from his wife Sophia Rentz (1590-1649) and therefore sought help from Jakob Rem, the Jesuit priest in Ingolstadt. The donation is said to be connected with an event in his family. Langenmantel was a friend of the Egyptologist, alchemist and esotericist Athanasius Kircher, as well as a member of the Fruchtbringenden Gesellschaft (Society of the Carpophores), which exerted a considerable influence on the nascent German Freemasonry. ![]() The painting was donated around 1700 by Hieronymus Ambrosius Langenmantel (1641-1718), a doctor in canon law and a canon of the Monastery of Saint Peter in Augsburg. For what the virgin Eve had bound fast through unbelief, this did the virgin Mary set free through faith." History St. In Book III, Chapter 22, he presents a parallel between Eve and Mary, describing how "the knot of Eve's disobedience was loosed by the obedience of Mary. Irenaeus of Lyons, Adversus haereses ( Against Heresies). ![]() The concept of Mary untying knots is derived from a work by St. Although certain copies and reproductions show a dog accompanying the two figures, there is no dog depicted in the original painting. The two small figures have also been interpreted as a representation of Wolfgang Langenmantel, the grandfather of the benefactor, guided in his distress by a guardian angel to Father Jakob Rem in Ingolstadt. This scene is often interpreted as Tobias and the Archangel Raphael traveling to ask Sara to be his wife. The serpent represents the devil, and her treatment of him fulfills the prophecy in Genesis 3:15: "I will put enmities between thee and the woman, and thy seed and her seed: she shall crush thy head, and thou shalt lie in wait for her heel." īelow are shown a human figure being led by an angel. The painting, executed in the Baroque style by Johann Georg Melchior Schmidtner (1625-1707), shows the Blessed Virgin Mary standing on the crescent moon (the usual way of depicting Mary under her title of the Immaculate Conception), surrounded by angels and with the Holy Spirit in the form of a dove hovering above her circle of stars as she unties knots from a long ribbon and at the same time rests her foot on the head of a "knotted" snake. Devotion to the image had been limited to certain countries in Latin America (e.g., Argentina, Brazil) but became known worldwide following the election of Pope Francis. The painting by Johann Georg Melchior Schmidtner, of around 1700, is in the Catholic pilgrimage church of St. Peter am Perlach, otherwise known as the Perlach church, in Augsburg, Bavaria, Germany. Mary, Untier of Knots or Mary, Undoer of Knots is the name of both a Marian devotion and a Baroque painting ( German: Wallfahrtsbild or Gnadenbild) which represents that devotion. Painting by Johann Georg Melchior Schmidtner
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